Development Editing

“You write to communicate to the hearts and minds of others what’s burning inside you, and we edit to let the fire show through the smoke.”

~ Arthur Plotnik

On Development Editing

For authors, there comes a point when you have to layer your vision and passion for your writing with the perspective of your reader, when—if you have the stomach for it—you stop using your pages as a vessel for endless creativity and focus on a single story. Something cohesive, lean, impactful. A book people will read beginning to end, then put down and sigh with satisfaction. This is development editing.

Unlike copyediting, which typically is only useful once you’re two or three (or twelve) drafts deep, dev. editing is a cyclical process that can start during the outlining phase (if you’re a plotter) or after you put the pen down on your first draft (if you’re a pantser), and doesn’t end until you’re happy with the bones of your book. It’s about organising chapters so readers stay engaged, trimming away dead weight, and developing every arc to its maximum potential.

People often think dev. editing is mostly about getting rid of stuff (Kill your darlings, anyone?), but it’s just as much about adding to and improving what’s already there. Of course, you will cut sections (or entire chapters, plotlines, characters…), but the key factor is that unnecessary information dilutes all the good stuff; removing it the easiest way to strengthen what remains.

Of course, you can and should be dev. editing your own drafts, but the deeper into the process you get the harder it is to embody the reader and assess your work with fresh eyes. Then, you’ll need an editor. Someone who will, unfortunately, point out that you’ve missed an enormous plot hole, or the character you love so much could be lifted out of the story without issue, or your prose lacks interiority and reads more like a screenplay.

And then you redraft, again, because you’re in service to the story and so is your editor, and editing is a brutal process with beautiful results. It’s not easy, but stay the course and, I promise, your readers will thank you.

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Need big-picture feedback on structure, pacing, or plot? Get in touch to discuss development editing.